The Madwoman in the Attic

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policymic:

Coaches told Taylor Townsend she was too heavy to succeed — she showed them

An 18-year-old American tennis player beat the No. 1-ranked French player Alize Cornet on her own soil in the second round of the French Open last week. Taylor Townsend, the teenager from Chicago, didn’t just make a powerful statement by beating the No. 22 seed in her debut main draw at a Grand Slam, however. Townsend’s victory sent a message to those who make assumptions or discriminate against female athletes on body image. 

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(Source: micdotcom, via tehnakki)

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xekstrin:


A new religious statue in the town of Davidson, N.C., is unlike anything you might see in church.
The statue depicts Jesus as a vagrant sleeping on a park bench. St. Alban’s Episcopal Church installed the homeless Jesus statue on its property in the middle of an upscale neighborhood filled with well-kept townhomes.
Jesus is huddled under a blanket with his face and hands obscured; only the crucifixion wounds on his uncovered feet give him away.
The reaction was immediate. Some loved it; some didn’t.
"One woman from the neighborhood actually called police the first time she drove by," says David Boraks, editor of DavidsonNews.net. "She thought it was an actual homeless person."
That’s right. Somebody called the cops on Jesus.

And the King shall answer and say unto them, Verily I say unto you, Since you have done it unto one of the least of these my brethren, you have done it unto me.

xekstrin:

A new religious statue in the town of Davidson, N.C., is unlike anything you might see in church.

The statue depicts Jesus as a vagrant sleeping on a park bench. St. Alban’s Episcopal Church installed the homeless Jesus statue on its property in the middle of an upscale neighborhood filled with well-kept townhomes.

Jesus is huddled under a blanket with his face and hands obscured; only the crucifixion wounds on his uncovered feet give him away.

The reaction was immediate. Some loved it; some didn’t.

"One woman from the neighborhood actually called police the first time she drove by," says David Boraks, editor of DavidsonNews.net. "She thought it was an actual homeless person."

That’s right. Somebody called the cops on Jesus.

And the King shall answer and say unto them, Verily I say unto you, Since you have done it unto one of the least of these my brethren, you have done it unto me.

(Source: circuitfry, via spiderine)

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dynastylnoire:

lilyjoon:

Did you guys know thousands in Detroit are experiencing water shutoffs?

Like, thousands in Detroit are living without running water?

Detroit, USA?

United States of America?

They’re Americans?

Who have been so neglected by their local / state / federal govs that they are now appealing to the UN for what could blow into a human rights tragedy?

BOOOOOOOOOOOOOOOOOOOOOOST

(via spiderine)

38,197 notes

So I ask the American commentators, please stop announcing that Landon Donovan is the “all-time U.S. leading goal scorer.” He is not. With 57 international goals, he’s not even in the Top Five.

The all-time U.S. leading goal scorer is Abby Wambach, with 167 goals, followed by Mia Hamm (158), Kristine Lilly (130), Michelle Akers (105) and Tiffeny Milbrett (100). In fact, Abby Wambach is the all-time leading goal scorer in the world, among all soccer players, male or female.
World Cup Soccer Stats Erase The Sport’s Most Dominant Players: Women (via cypher2)

(Source: thewhatup, via spiderine)

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How media clearly reflects the sexism and the racism we cannot see in ourselves.

bana05:

I wanted my first-year film students to understand what happens to a story when actual human beings inhabit your characters, and the way they can inspire storytelling. And I wanted to teach them how to look at headshots and what you might be able to tell from a headshot. So for the past few years I’ve done a small experiment with them.

It works like this: I bring in my giant file of head shots, which include actors of all races, sizes, shapes, ages, and experience levels. Each student picks a head shot from the stack and gets a few minutes to sit with the person’s face and then make up a little story about them. 

Namely, for white men, they have no trouble coming up with an entire history, job, role, genre, time, place, and costume. They will often identify him without prompting as “the main character.” The only exception? “He would play the gay guy.” For white women, they mostly do not come up with a job (even though it was specifically asked for), and they will identify her by her relationships. “She would play the mom/wife/love interest/best friend.” I’ve heard “She would play the slut” or “She would play the hot girl.” A lot more than once.

For nonwhite men, it can be equally depressing. “He’s in a buddy cop movie, but he’s not the main guy, he’s the partner.” “He’d play a terrorist.” “He’d play a drug dealer.” “A thug.” “A hustler.” “Homeless guy.” One Asian actor was promoted to “villain.”

For nonwhite women (grab onto something sturdy, like a big glass of strong liquor), sometimes they are “lucky” enough to be classified as the girlfriend/love interest/mom, but I have also heard things like “Well, she’d be in a romantic comedy, but as the friend, you know?” “Maid.” “Prostitute.” “Drug addict.”

I should point out that the responses are similar whether the group is all or mostly-white or extremely racially mixed, and all the groups I’ve tried this with have been about equally balanced between men and women, though individual responses vary. Women do a little better with women, and people of color do a little better with people of color, but female students sometimes forget to come up with a job for female actors and black male students sometimes tell the class that their black male actor wouldn’t be the main guy.

Once the students have made their pitches, we interrogate their opinions. “You seem really sure that he’s not the main character – why? What made you automatically say that?” “You said she was a mom. Was she born a mom, or did she maybe do something else with her life before her magic womb opened up and gave her an identity? Who is she as a person?” In the case of the “thug“, it turns out that the student was just reading off his film resume. This brilliant African American actor who regularly brings houses down doing Shakespeare on the stage and more than once made me weep at the beauty and subtlety of his performances, had a list of film credits that just said “Thug #4.” “Gang member.” “Muscle.” Because that’s the film work he can get. Because it puts food on his table.

So, the first time I did this exercise, I didn’t know that it would turn into a lesson on racism, sexism, and every other kind of -ism. I thought it was just about casting. But now I know that casting is never just about casting, and this day is a real teachable opportunity. Because if we do this right, we get to the really awkward silence, where the (now mortified) students try to sink into their chairs. Because, hey, most of them are proud Obama voters! They have been raised by feminist moms! They don’t want to be or see themselves as being racist or sexist. But their own racism and sexism is running amok in the room, and it’s awkward.

This for every time someone criticizes how characters of color and female characters of color especially are treated in text and by subsequent fandoms.  It’s never “just a television/movie/book”. It’s never been ”just”.

Casting is never just about casting. Casting is never just about casting. Casting is never just about casting.

(This story feels like a good kick in the pants and something I need to remind myself of regularly.)

(Source: letthetruthlaugh, via spiderine)

3,513 notes

Why Heterosexuality Didn't Really Exist Until the 19th Century

medievalpoc:

The history of straightness is much shorter than you’d think. An expert explains its origins.

Blank mentions her personal story at the beginning of her provocative new history of heterosexuality,  “Straight,” as a way of illustrating just how artificial our notions of “straightness” really are. In her book, Blank, a writer and historian who has written extensively about sexuality and culture, looks at the ways in which social trends and the rise of psychiatry conspired to create this new category in the late 19th and early 20th century. Along the way, she examines the changing definition of marriage, which evolved from a businesslike agreement into a romantic union centered on love, and how social Darwinist ideas shaped the divisions between gay and straight. With her eye-opening book, Blank tactfully deconstructs a facet of modern sexuality that most of us take for granted…

This intersects in some really interesting ways with art history, gender, and race. I like how the book’s premise is framed, as a sort of inverted look into History via queer studies.

(Source: rhamphotheca, via spiderine)